• INSTALLATIONS
    • whose history is it anyway?
  • PHOTOGRAPHS
    • the butterfly effect-iterations I, II,III
    • touch me
    • reverie
    • A.D. I
    • what I love
    • a landscape of longing
    • sublime indifference
    • williamsburg
    • the renaissance series
    • the female figure
  • PAINTINGS
    • new paintings
    • landscapes
    • once and for all
    • aftermath
  • BIO
  • ESSAYS
    • BODIES OF WORK: 1984-1993 / essay by Eugenie Tsai.
    • SUSAN DABOLL: PASSAGES / essay by Jessica May.
    • TOUCH ME / essay by Jonathan Goodman.
    • THE BUTTERFLY EFFECT/ essay by Dr. Kostas Prapoglou.
    • WHOSE HISTORY IS IT ANYWAY?/ essay by Dr. Kostas Prapoglou.
  • RESUME
  • PRESS
  • CONTACT
  • Menu

SUSAN DABOLL

  • INSTALLATIONS
    • whose history is it anyway?
  • PHOTOGRAPHS
    • the butterfly effect-iterations I, II,III
    • touch me
    • reverie
    • A.D. I
    • what I love
    • a landscape of longing
    • sublime indifference
    • williamsburg
    • the renaissance series
    • the female figure
  • PAINTINGS
    • new paintings
    • landscapes
    • once and for all
    • aftermath
  • BIO
  • ESSAYS
    • BODIES OF WORK: 1984-1993 / essay by Eugenie Tsai.
    • SUSAN DABOLL: PASSAGES / essay by Jessica May.
    • TOUCH ME / essay by Jonathan Goodman.
    • THE BUTTERFLY EFFECT/ essay by Dr. Kostas Prapoglou.
    • WHOSE HISTORY IS IT ANYWAY?/ essay by Dr. Kostas Prapoglou.
  • RESUME
  • PRESS
  • CONTACT
Name-optional

Thank you!

Susan